While the most distinctive feature of vishapakars is its round shape, three types exist: bull-shaped (tslakerp), fish-shaped (tsknakerp) and a hybrid of a bull and a fish (tsla-tsknakerp). According to Bobokhyan, there are around 120 vishapakars in different parts of Armenia, the largest concentration of which, 12, is found near Mount Aragats.
Worshipping or attaching great importance to water does not end with vishapakars. Bobokhyan explains that vishapakars belong to a group of cultural representations that have traveled from one period of time to another.
Although different in their design and the locations in which they are found, Bobokhyan considers khachkars to be a transformation of the vishapakar tradition that took place during the Medieval Ages.
Khachkars (or cross-stones), which are multi-motif cross-bearing monuments, are very well-known representations of Medieval Armenian Christian art that continue to be a part of modern culture for Armenians around the world.[3]
Similar to vishapakars, khachkars also represent a phenomenon that only exists in the Armenian Highlands, a discovery first made by one of the earliest researchers of vishapakars, historian and scholar of the Caucasus, Nicholas Marr. Some of them were even erected next to water sources. Just like the Armenian Apostolic Church adopted the pagan Vardavar holiday into Christianity as the Feast of the Transfiguration, Gasparyan believes it is likely that the Church played a role in modeling khachkars after vishapakars; some are in fact carved directly into them.