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                                            Illustration by Armine Shahbazyan.

Editor's Note

Reality is made up from mostly unseen things. Like atoms and electrons, these particles collide and form threads that remain invisible to us, yet impact our very being, and structure the environments that we inhabit. In an everyday language we would call these threads culture or, perhaps even “Et cetera.” But for the Armenian reality, the infinite gamut of the “everything else” is, ironically, often conceptualized as anti-culture, since the latter is deemed to be that which is elevated, sacred and monumentalized. As a result, our cultural landscape and identity appear monolithic, unchanging and stagnant. This perception is cemented by the mass media, which regurgitates stereotypes and nurtures parochial ideas about socio-cultural forms by reinforcing that which is already fixed in the field of visibility, while sidelining everything that flows, pulsates and grows in-between. 

The articles in this section of EVN Report attempt to turn the tide and give a much-needed critical spotlight to the forgotten, ignored, misunderstood, unseen, silenced and even derided cultural phenomena that weave the fabric of our collective past and present. From the mundane to the extraordinary, the topics addressed here reveal the remarkable dynamism of both historical, as well as contemporary Armenian social practices. By stressing the complexities of these experiences, we hope to ignite new dialogues and insights about the evolving implications of what it means to be Armenian in the rapids of our globalized world.

Vigen Galstyan 

The Doctors of Armenian Cultural Heritage

Examining the dissonance between the importance ascribed to national values like cultural heritage and the less-than enviable conditions surrounding the profession of Armenia’s “heritage doctors”.

Re-reading Philip Marsden’s “The Crossing Place: A Journey Among the Armenians”

Philip Marsden’s “The Crossing Place: A Journey Among the Armenians” is atmospheric, gripping and revelatory. It delves into the seemingly exclusive club of a nation at the meeting point of cultures, writes Naneh Hovhannisyan.

Behind the Magic: Rudolf Vatinyan’s On-Set Photographs From “Khatabala”

When cinematographer Rudolf Vatinyan passed away from COVID-related complications in 2020, people eulogized about an exacting professional who had filmed a number of iconic films. No one remembered, however, that Vatinyan had a parallel creative passion.

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et cetera podcast

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