Chart of Truth Commissions by Dr. Nerses Kopalyan for the Transitional Justice white paper.
The 1986 Chernobyl Nuclear Power Plant accident was considered the worst nuclear disaster in history. It exposed hundreds of thousands of people to high levels of radiation, killing dozens and affecting millions across Europe. Experts from all over the Soviet Union were sent to “liquidate” the effects of the radiation. Among them were several thousand Armenians.
In this new essay for the “True But Not Real” creative writing series, writer and journalist Lusine Hovhannisyan explores the love Armenians have for their homes especially in the context of the recent war in Artsakh: “We love our houses with the skill of a person who has lost their home.”
Դու հեռանում ես տնից, որ քեզ փրկես ու հետ գաս՝ վստահ լինելով, որ տունը կմնա։ Քեզ փրկում ես, տունը՝ չէ։ Ավելի ճիշտ՝ քեզ տան մեջ չես փրկում, այլ տնից դուրս. chez moi-ն չի փրկվում։ Դու արդեն որտեղ էլ ապրես՝ chez moi չէ։ Մենակ մնացած տներում թշնամու զինվորներ են։ Մենակ մնացած տները սպանել, տանջամահ անել չի լինում։ Մենակ մնացած տները հետևում են անթրաշ զինվորների խրախճանքին։
Suren says if he had a magic wand, he would change people to make things better. Children of the 2020 Artsakh War continue to struggle with trauma. A center in Kapan is trying to change that.
Teachers, students and parents are all trying to cope with the transition to online education. Gohar Abrahamyan reveals some of the successes and challenges.
Armenia is facing its greatest challenge since independence. Nikol Pashinyan’s Velvet Revolution has left the ruling Republican Party facing a crisis of legitimacy. Nerses Kopalyan writes, “Pashinyan is not seeking to usurp the Constitutional legitimacy of Parliament, but rather, force the majority in Parliament to conform to the will of the popular movement.”
Over 90 percent of the world’s student population have seen their education interrupted because of the COVID-19 pandemic. While education is the most visible issue, the impact on children cuts much deeper than is being recognized.
Choir in the Dark is the first chapter of photographer Davit Nersisyan’s ongoing, larger body of work about the visually impaired in Armenia. A visual exploration of the persistence of a choir where most members are visually impaired.
This is a story about the beautiful complexity and strength of mothers, especially those raising a child with a disability.