Visual artist Ruben Malayan’s poster art that he created during the Velvet Revolution in Armenia is a fusion of his passion for calligraphy and the momentous events sweeping across the country.
In her piece on (not)editing Micheline Aharonian Marcom’s new novel “The Brick House,” author and editor Tatiana Ryckman says that Marcom's fiction changed her reading and writing life forever.
For decades, production of historical texts in Armenia was in the tight grip of Soviet state ideology. Post-independence, some topics previously repressed or omitted found their way back into Armenian history textbooks, however “memory gaps” remain.